Punch Puppets of the Tinker Taylor Family Black Red Riding Hood & wolf

Front Page, About Us, Punch & JudyMarionettes, The Professor's Background



Punch & Judy

Pulcinella woodcut

Punch was born of a classic character of European dramatic arts, dating back to the Renaissance's commedia dell'arte. The woodcut above shows Pulcinella being performed to attract prospective "snake oil" customers.

The play, Punch & Judy, is an English variation which appeared as early as the time of Samuel Pepys, who wrote a review of a show in Covent Garden.

The story varies over time and from one puppeteer (called a "Professor") to another, but the basic outline is the same: Punch can not be defeated.

The Tinker Taylor Version


Punch, Judy & the Baby

 


Punch vs. the Croc

The Cast of Characters

Punch

Punch face - brown
Two of the Professor's Punch interpretations

Punch comes from the character originally known as Pulcinella. He represents the “Trickster” figure found in the mythologies of many cultures. But once he arrived in Great Britain he transformed from a marionette in epic plays and became a hand puppet combination of the great Commedia dell Arte style and the British Court Jester, as seen in the proscenium of the Tinker Taylor Puppet Stage.

On May 9, 2008 Punch celebrated his official 346th birthday. He's very lively for his age.

Judy

Long-suffering Judy's name has changed over the centuries. It was once “Joan “ used by servant girls that carried water jugs on their heads. Joan literally meant “Jug Head”. It is believed that when the present, distinctive voice of Punch, came into fashion the sound of Joanie was heard as Judy and the name stuck.

The Baby

The baby completes the family unit and provides many antics to entertain adults with some of the frustrations of parenthood.


The baby spits!

And this baby is frustrating. How many parents have felt like “throwing the baby out with the bath water” or out the window? We know we mustn’t do it. But to see a puppet behave so ridiculously relieves our tensions and creates laughter at the absurdity of the actions.

The Bobby & the Hangman

The Bobby was the original punishment but as Punch overcomes one obstacle after another more severe punishments are required.

Punch in disguise with the Bobby

Thus the hangman became the ultimate punishment until the public enjoys seeing him tricked into hanging himself.

The Hangman

As that went out of fashion, another comeuppance for Punch was necessary.

The Devil

The devil is the ultimate punisher. But, the public insisted on seeing the devil outsmarted. Who wouldn’t want to thwart the devil? Ever since Faust, the public has been fascinated with keeping the devil from "getting his due!”

The Crocodile

If a crocodile eats you, that must be the end.

But wait! If we clap loudly enough, we can bring Punch back for another show. After all, we like to see a wooden knuckle-head like Punch triumph over adversity which reassures us that we too could be saved under seemingly insurmountable conditions.
Punch -- after all his wrong doings -- is us, our alter egos. He is the anti-hero we see in ourselves, our secret selves that we don’t let others see.

The Stage

Showtime

Known as a "fit-up", the stage is important to the performance. It's designed to be easily moved from place to place. Drapes on the lower portion conceal the puppeteers, allowing the audience to concentrate on the action.

The Company

Emily and Carol Taylor have been puppeteering for several years since their early teens.

See our brochure

Click here for the PDF file.


Other Companies, Other Versions

They demonstrate the variations in Punch's manifestations. Clicking any of the YouTube video links  will also get you a list of others. Click here.

Book a Show!